Kmart Music – the Reason why “the West” will always be the Pioneer in Humanities/Social Sciences Scholarship

I spent several years in Taiwan in the late 1980s and early 1990s. During that time, I had a routine where I would go into central Taipei early in the morning every day (by around 6am) and go to a fast food restaurant where I would drink coffee and review the Chinese I was learning at a language school before going to work (around 7:30).

1

The first restaurant I went to was Lotteria. It’s not there anymore.

I remember that I liked it there, but for some reason I later started to go to McDonalds. I can’t remember why I started to go to McDonald’s. I think it was because Lotteria changed their hours and started to open later.

2

Whatever the case may be, there is one “sound” that I remember from this time period, and I can’t remember if I heard it at Lotteria or McDonalds or both, but it was the “sound” of a cassette tape that they played while I was drinking coffee and studying Chinese – a tape of Kenny G music.

More specifically, I remember that the cassette tape was one that must have been “eaten” by the cassette player at some point, but someone must have “fixed” the tape and kept using it, because what I listened to day after day after day after day was a “warped” tape of Kenny G’s “Forever In Love.” (Why on earth didn’t the people who worked there realize how horrible that tape sounded?!!)

That sound is deeply ingrained in my mind, but there is no easy way for me hear it again. To do so I would have to get a cassette tape of Kenny G’s music (are they still available?) and a cassette player (do they still exist?), and then I would need to find a way to get the tape player to “eat” the cassette tape and damage it. And finally, I would have to replay that damaged tape.

With that, I should be able to recapture that “sound” from the late 1980s and early 1990s in Taiwan, but that’s a lot of work and theoretically I have more important things to do. . .

kmart

With that appreciation of how difficult it can be to recapture certain sounds from the past, I was very happy to find recently that someone who worked at Kmart in the US in the late 1980s and early 1990s preserved some of the cassette tapes that were played in the store at that time and has digitized them and made them available on the Internet at Archive.org.

The digitization of these tapes has generated a lot of attention, including a report on National Public Radio in the US.

3

While all of this might seem humorous (or ridiculous) and of little scholarly value, I see in these Kmart tapes a perfect example of why “the West” will always lead the world in producing cutting-edge scholarship about human societies.

As Asia has undergone a period of intense economic development, there have been statements about how the 21st century will the “the Asian century,” and how in the case of Southeast Asia, the “center” of Southeast Asian Studies is moving from North America to Southeast Asia.

The Kmart tapes, however, are great proof of why none of this is true.

Why do I say this? Because there is a graduate student somewhere in North America right now who is trying to find a way to theorize about the importance of “banal music” in our lives, like the music that we here in supermarkets or department stores, and that graduate student has now obtained fantastic material to work with – tapes that were broadcast in Kmart in the late 1980s and early 1990s – and after writing a dissertation on that topic, that person will go on to get that dissertation published by Routledge Press in a special series on “the sound of modernity” or something like that.

Why has that graduate student been able to obtain these materials?

First it is because a national media organization like National Public Radio has drawn her/his attention to these tapes.

Second, it is because there are people in North America who realize that “garbage” like tapes that were played in Kmart in the late 1980s and early 1990s are actually “valuable.” And such people take the initiative to SHARE those materials with the public.

And that such people are able to share such materials with the public is because, third, there are other people like the founders of Archive.org, also known as the Internet Archive, who want to make knowledge (in all of its varieties) available for free to all.

And finally, fourth, academic publishers in “the West” want to publish scholarship that pushes the boundaries of how we understand the world.

decentring

So why does this make “the West” different from Asia? Because none of this will ever exist/happen in Asia.

No one who is working in a department store in Jakarta or Bangkok or Beijing or Tokyo will ever consider that the banal music being played over their sound system is in any way important or worth preserving.

No one in Jakarta or Bangkok or Beijing or Tokyo will ever create anything as selfless and democratic as the Internet Archive.

No national media in Indonesia or Thailand or China or Japan will ever think that there is any value in reporting on the digitization of department store music from decades ago.

Graduate students in (or from) Jakarta or Bangkok or Beijing or Tokyo will never consider the fact that the music that is being played in the shopping centers that they walk through (perhaps) daily can be analyzed to say something insightful about the human condition.

Instead, people in the societies of Asia and in the countless educational institutions in Asia will talk endlessly about the need to teach people how to develop critical thinking skills, etc., so that people from these societies can compete with people in “the West” . . . but no one will notice the music that is playing in the department store they visit, and no one will preserve it, and no one will study it. . . and “the West” will continue to be seen as unique in its “critical thinking.”

People! Listen and think!!

Subscribe
Notify of
guest

10 Comments
Oldest
Newest Most Voted
Inline Feedbacks
View all comments
duatle
10 years ago

“No one who is working in a department store in Jakarta or Bangkok or Beijing or Tokyo will ever consider that the banal music being played over their sound system is in any way important or worth preserving.”

Will this be true in the future, I’m not sure, but it was probably true in the recent past. Why is that?

duatle
Reply to  leminhkhai
10 years ago

Thanks for explaining it at length. What I wonder was why, as you observed, *generally* people from “the West” do these things (preserve, share, build the platform to share, and draw attention) more and better than people from “the East”. Did anyone come up with some plausible explanations? I heard and thought of a few reasons but I don’t remember reading any authoritative sources about this kind of social/cultural difference.

duatle
Reply to  leminhkhai
10 years ago

Well… It might just come down to capitalism, you know. You can get rich in more than just one or two ways so you “think of” more ways to give back the money 🙂

Patrick
Patrick
10 years ago

Leminhkhai,

I just started reading your blog and watching your youtube videos for the past month or so, and I am thoroughly impressed. I totally agree with what you have said here in this article. I also think I can empathize with your sentiment, having spent the past 6 years of my life almost constantly obsessing over the differences between “the East” and “the West,” however problematic those two terms are.To put it simply, I get it! I look forward to reading your future posts. You are one of my maverick scholar heroes in Asian Studies.

tuannyriver
10 years ago

This topic – “The West” leading scholarship – is so vast that I’m not sure how to approach it even. One factor, I think, is the reception and reaction of a country’s state and society regarding dissidents. I don’t mean political dissidents (though obviously them too), but cultural and intellectual dissidents and critics. It’s one thing that there are critics like Foucault and C. Wright Mills. It’s another thing that they are received with seriousness, at least by small but not insignificant groups in their countries and regions.

Another possibility is considering the thre Ts as described in the article below: technology, talent, and tolerance. Look at the map and it’s clear that the vast majority of the top countries would be classified as “the West.” Regarding your topic above, Japan is the exception as it doesn’t quite belong to the same class in term of historical scholarship. But there is something about the rest of the countries in this survey. http://qz.com/523124/these-are-the-worlds-most-creative-countries/

dustofthewest
10 years ago

The Vietnamese have a great word, undoubtedly of Chinese original – ý thức. To me it means a combination of attention and awareness. In your story, it seems like fast-food workers in Taipei lacked ý thức because they kept playing a damaged tape. You have ý thức because you noted the tape contemplated what it meant.

Maybe it’s also a lack of awareness of what can be lost and what is being lost. There are so many documents in my field that I know have existed – there had to have been several thousand unique 78 rpm titles produced in Vietnam, but I only know of a few hundred ever being found. You have to rely on private collectors more than institutions.

Librarianship and stewardship of the cultural heritage is lacking. The institutes that have held on to the documents don’t have the interest or knowledge to make them available. We’re fortunate if they are able to preserve them. The one small exception was the scanned newspaper project at the Thư Viện Quốc Gia – but that was just a tiny random morsel, just enough to make one hungry for more. But it doesn’t help when so much material has been banned, confiscated and destroyed at various times.

The fundamental question is whether having the faculty for critical thinking would be an asset to somebody in Vietnam? It would lead to asking questions, coming up with answers that are either unacceptable or unpleasant. I know a few critical thinkers there, but it’s not easy for them.