Trần Quốc Vượng, Identity and Power

The late Professor Trần Quốc Vượng was a creative thinker and a wonderful storyteller. He wrote extensively, and his writings are enjoyable to read.

One aspect of thầy Trần Quốc Vượng’s writings that I find notable is the way that he tied together pieces of information and revealed connections and a logic to the past that other people had not thought of.

book

I was reminded of this today when I was looking at a collection of his writings called Văn hóa Việt Nam, tìm tòi và suy ngẫm [Vietnamese Culture, Inquiries and Reflections]. I randomly opened that book to an essay on “Một nét bản sắc của văn hóa Việt Nam” [One Characteristic of Vietnamese Culture] and found a lot to think about immediately on the first page.

Professor Trần Quốc Vượng begins this essay by stating that one natural characteristic of Vietnam is its peninsular character. Vietnam is on the Indochinese Peninsula and it therefore possesses a peninsular character.

What exactly is that?

According to Professor Trần Quốc Vượng it consists of a maritime (or Mã-Lai or fishing) character, and a valley (or Tày-Thái or wet rice) character. Thầy Trần Quốc Vượng states that these two characteristics seeped into the structure of ancient Việt culture and were present already during the Dông Sơn period.

He then says that the cultural heroes of the ancient Việt rose up from the water. The Fish Essence (Ngư tinh), the Fox Essence (Hồ tinh) and the Tree Essence (Mộc tinh) were active in the three areas of the sea, the delta, and the mountains, respectively. And then of course there was Lạc Long Quan (whose story connects the sea and land).

text

As I said above, writing like this draws connections and reveals a logic to the past that many people probably never thought of. But is any of this true?

There are a couple of assumptions that Professor Trần Quốc Vượng’s ideas here are based on. First, he sees “Việt” culture as being at its core a multi-ethnic culture that already blended into a single culture in antiquity. The second assumption is that this ancient culture somehow still has meaning and resonance today because some essence of it has endured for 2,000 years to the present.

What is problematic about this? First of all, I’ve had experts on Tai linguistics tell me that there is very little evidence that there were Tai speakers in the Red River Delta in the BC period. It is only close to 1,000 AD when the branch known as “Southwestern Tai” (or what the Vietnamese call Thái) started to form that Tai-speakers migrated southward into the mountains of what is today northwestern Vietnam.

A few days ago I wrote about the writings of a Thái group in northwestern Vietnam, the Tai Dam or Black Tai. Their main history, the Kwam to muong, does not talk about any past blending into any ancient Việt culture. Given what linguists say, that makes sense, as they would not have been in the area in ancient times.

Tai map

Second, the Fish Essence (Ngư tinh), the Fox Essence (Hồ tinh) and the Tree Essence (Mộc tinh) are concepts that come directly from the Sinitic literary heritage. (I wrote about the fox essence long ago here.) Further, we only have evidence of the stories about these “culture heroes” starting in the fifteenth-century Lĩnh Nam chích quái.

Third, how was it possible for people living along the coast and people living inland to have the same culture and the same “culture heroes” in the BC period? How did the maritime character of the coast reach the valley character of Phong Châu and intermix, and vise versa, such that the people throughout this region could somehow end up the same?

den

So on a factual level, thầy Trần Quốc Vượng makes connections here that are difficult to support with historical evidence and logic. So why put forth such an argument?

I do not know enough about Professor Trần Quốc Vượng’s overall approach and beliefs to say for certain. My guess would be that he perhaps had a desire to counter a “Kinh-centric” (or ethnic Vietnamese-centric) view of Vietnam by making Vietnam by definition multi-ethnic.

If so, that is a noble desire. However, in having contributions from other ethnicities blend into an “ancient Việt” (Việt cổ) culture, a culture that is defined today by the ethnic Kinh, his vision of the past still ends up being Kinh-centric.

Son La

Professor Trần Quốc Vượng begins this essay by mentioning “bản lĩnh – bản sắc” which he glosses with the French word “identité.” I’ve talked about the problem of “bản sắc and identity” here before (here, and there is a Vietnamese translation here, and another post here). This opening passage of thầy Trần Quốc Vượng’s essay illustrates this “problem” very well.

Thầy Trần Quốc Vượng was looking for something that (he apparently believed) really exists, and he brought together pieces of historical information in an effort to support his point. However, the historical information he used does not support his point. Therefore, the thing he says exists, doesn’t really exist.

However, in making this argument, Professor Trần Quốc Vượng shows us what he “thinks” or “believes.” And to “prove” what he thinks, he “constructs” a story that supports his “beliefs.”

ban sac van hoa

This is “identity.” It is not something real. It is something that people think about themselves.

Further, whenever someone seeks to construct an identity for a group, power is always involved because no single person can ever speak for an entire group. That it was Professor Trần Quốc Vượng, a member of the Kinh majority, who determined the role of other ethnicities in the area in the past, is a sign of the power relations that were at play in his idea of the “identity” of the Vietnamese.

Even if he wrote this way in an effort to create a less “Kinh-centric” vision of Vietnamese culture, it was still him, as a member of the majority, who was determining the role of minorities in that vision.

Identity is not something that exists out there in the world that can be identified. When people try to do so, whether they realize it or not, they exercise power.

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y
y
13 years ago

Thank you for this lovely example on how history is put together.
I’ve been thinking that “identity” is really a modern construction, but haven’t got around to tracing its genesis and understanding the ways in which it is distinct and similar to how earlier societies experienced and perceived the individual in relation to the other and the world (then again, “individual” is possibly another concept that is alien to them too; how to transcend the limits of language in order to move closer to thought systems that lie beyond it?). Would be lovely to hear your thoughts on the topic of identity when there’s the opportunity.
Thanks!

Random Viet person
Random Viet person
13 years ago

The link to the past article about the fox essence myth really surprised and enlightened me.
Vietnamese people would probably be much more willing to contest long-held myths about a unified and established Vietnamese identity/culture going back to ancient times if there was more awareness about world history/cultures in general. A lot of Vietnamese don’t seem to realize how across the world, a lot of civilizations went through the same thing. Vietnam is not a unique case, and it’s not something to be ashamed of or overcompensate for The whole complex is rooted in some sort of special snowflake syndrome. Then again, Vietnam is hardly unique in that either, look at Korea claiming 5,000 years of continuous history.

And, I really, really need to improve my Vietnamese.

kutatora
13 years ago

Cho hoi Ho ly tinh, Ngu tinh co the nao dich sang tieng anh hay hon khong? Chu truoc gio chi nghe toi Chicken essence la nuoc cot ga ma Chi Bao hay quang cao tren tivi 🙂

Kuching
Kuching
13 years ago

Thanks for the post and replies to the comments so far. Not sure if I am any expert on the topic of identity and on Tran Quoc Vuong, but at least can raise several points here for further discussions.

1. I don’t think that Professor Tran Quoc Vuong claimed his work to be a historical text, but rather an anthropological piece. Within anthropology, there is cultural anthropology and his work seems to fall into this category. His work seems to dig ‘cultural essence’ of various places (vung, mien) in the place called Vietnam today. And myths and legends and beliefs are all elements of how ‘cultural essence’ is constructed.

2. The ways he presented many points about ‘identity’ or ‘ban sac’ in his work fall somewhere between essentialist and non-essentialist traditions/approaches/perspectives. In talking about ‘unity’, he did talk about diversity and how that unity was constructed and made possible by a shared sense of Vietnamese (of course this is arguable and could be highly problematic). What I want to emphasise here is the term ‘sense’. At the personal level, identity, as you rightly put it, refers to the sense of who you are and the meaning(s) you and others construct for you. This understanding of identity applies to all levels, say national or regional, and to all entities, say a community, an association and a nation.

3. Professor TQV, however, did not make clear (or even acknowledge) the limitations of his approach.

Thanks and looking forward to responses.

Kuching
Kuching
13 years ago

Great response. I can also give you many examples of this style of writing in postmodern and media and cultural studies scholarship everywhere :). So there must be something ‘cool’ or ‘self-indulged’ about this style of writing that travels across borders and across disciplines.

And the “reflexive turn” you mentioned here has only become more recognised in other fields of studies over the past decade or so. ‘Reflexivity’ is now one of the coolest terms in scholarship and methodology. But reflexivity has its limitatations too, because there is always a likelihood to construct a certain ‘reflexivity’ based on a certain selective narratives. Therefore reflexivity can still be biased and bounded.

I guess the ‘biased and bounded’ problem in Prof TQV’s “explorations and reflections” lies in his conscious selection of what he chose to, could, and was allowed to reflect and present.

Kuching
Kuching
13 years ago

I don’t think I can speak for other people in terms of how they read and interpret TQV, but I can only speak for myself. How I read his work 10 years ago is different from how I read it today, partly because I am constantly exposed to new scholarship that challenges a lot of what I knew before, and partly because I now read his work with more awareness of the bounded space in which he was developing his ideas. I guess this is part of reflexivity.

A few weeks ago I was at a seminar where a colleague presented something related to the sociology of ideas. He referred to some publications he found in the archive that offer significant results and implications for our understandings of the difference between how historians as experts in the discipline read historical textbooks and how high school students as explorers and consumers of knowledge read the same historical texts. The point he then concluded from reading such publications is that historians do not see what presented in historical texts as fact, while high school students do see the same information as fact.

I guess people have different purposes in reading and tend to look for different information and evidence from the same text, depending on where they stand, what they want to achieve, what prior knowledge and exposure to related ideas they have had, why that text matters, and how aware they are of their stance, and how knowledgeable they are of any critiques against the text they read, etc.

I have answered some of your questions above, but not in the most direct way as you may have expected, but I think I have touched upon the many points you have raised too.

Kuching
Kuching
13 years ago

Oh I think you have raised so many important points here. I can also see that you turned up the heat a bit in your response. I guess you must have been provoked by your own concerns about serious scholarship or what serious scholarship ought to look like.

I do not have a copy of his book right here with me but if I remember correctly, this book is a collection of his essays written at different points in time and was based on his field trips to various places in Vietnam. I can see that the book was written in a highly personal manner and many ‘facts’ were formed out of tales and recollections of memories. I do not defend Prof TQV’s work, but I can say with confidence that I have come to understand a lot about diversity in ‘Vietnamese’ culture by reading his writing. So at least he has done some good justice to the many ethnic groups living in the area. While I do not have enough knowledge to evaluate the trustworthiness of the many facts he presented, my reading of his work suggests that he was at least trying to propose an approach to understanding culture, which is an embedded approach, meaning embedded in the everyday lives of ordinary people, and thus culture is from within and embedded. Of course I acknowledge that this approach is limited too.

I am not sure if you are suggesting that nationalist environment cannot produce any good scholarship. But I can argue that scholarship in a seemingly liberating world is still controlled by personal and institutional interests and constraints.It can also be manipulated by a number of figures who are considered ‘academic gods’ in that world, and normally people don’t challenge them directly because they are too powerful and can silence views which are critical of their scholarship.

There are also an increasing number of foreign ‘politician academics’ who now write the kind of nationalist scholarship to satisfy leaders of other countries and/or institutions that have a lot of money to fund research. These academics live in a liberating world, yet they are driven by neoliberal values and produce superficial scholarship to buy themselves research grants rather than working on critical scholarship.

I love ‘arguing’ with your ideas here, and I think before scholarship everyone should be equal too :). And I think by engaging with Prof TQV’s ideas, we in fact further develop many of the points he has raised in his work. By pointing out the limitations and flaws in his work doesn’t mean that his work is of no value to scholarship.

Kuching
Kuching
13 years ago

Hello again! I’d love to see you show me evidence where people can’t touch TQV’s work. I think many just avoid engaging with his work for different reasons.

More soon, so keep the discussion going :). Thanks.

Kuching
Kuching
13 years ago

Good morning to you! I will also try to see if I can take the dicussion forward. I think one way to use writings like that is to take the problematic/uncritical points out of them for critique and for your depature, and then build on your critique to invite readers to what you want to argue for or against with your writings.

Hope this makes sense.

Bai Yue
Bai Yue
13 years ago

Mr. Le,

I have reviewed this paper on Bai Yue, would you mind to give some your thoughts on this.

http://sino-platonic.org/complete/spp017_yue.pdf

Yuenan
Yuenan
12 years ago

I am sure you are a busy person but if ever you have a spare minute would you be kind enough to have a quick skim through this discussion thread about Vietnamese history
http://eastbound88.com/showthread.php/15888-Vietnamese-history-is-a-lie!

I know there is quite some immaturity there but if you just focus on the core arguments of the original poster would you be inclined to agree that it is a valid theory concerning Vietnamese history

Thanks

baiyueh
12 years ago

“People need to see how ethnic groups have emerged (or been “invented”) over time and how they have changed.”

greatest quote ever!!!

The real question: When will we all get along and play nice? 🙂