Monthly Archives: October 2017

Modern Southeast Asian History Seminar: Print, Fashion & Gender (Week 6)

In the 1920s and 1930s there was an explosion of print publications across Southeast Asia. These sources are invaluable for understanding many topics.

While early examinations of these writings sought to understand the rise of nationalism, current scholarship has moved on to such topics as fashion and gender, topics which are still related to nationalism, but which allow us to think about how people in Southeast Asian societies “refashioned” their sense of selves in ever more complex ways.

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Modern Southeast Asian History Seminar: Transforming Siam (Week 5)

This week in the seminar we read about the transformation of Siam in the late nineteenth and early twentieth centuries. This included examining the complex and fascinating topic of Siam’s condition of being “not entirely not colonized” while also being to some extent “imperial.”

This video contains some information about this topic, and the readings from this week are below.

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A Conversation With Art Curator Nguyễn Như Huy

Last summer Phan Lê Hà (founder of the Engaging With Vietnam conference series) met with curator Nguyễn Như Huy (founder of the art space Zero Station/Ga 0 in Hồ Chí Minh City) and talked about art, philosophy, linguistics, literature and travel.

I filmed the conversation and made the following three videos.

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Art, Liberal Orientalism and the “I Love Vietnam Fetish”

Last week an article repeatedly appeared in my Facebook feed. It is a critique by a Vietnamese photographer (Hà Đào) of the works of a French photographer (Réhahn) based in Vietnam.

Entitled “Smile For The Camera: Reconsider Réhahn’s Works,” the article has received lot of attention, and has been both praised and criticized.

I was unfamiliar with the work of both Hà Đào and Réhahn, so I tried to learn what I could from the Internet, and then after I had done so, I read the article.

In reading the article, I found that I really liked the author’s critique, and the eloquent manner in which it is made, but that I was also dissatisfied with some aspects of the author’s argument, and that made me think about how we can make such a critique more insightful.

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Emperor Tự Đức as a Reformer

In English-language writings on Vietnamese history, the Nguyễn Dynasty has long been depicted as resistant to reform. In this depiction, people like Emperor Tự Đức are said to have been so absorbed in the world of Confucian tradition that they did not recognize the need to change.

My suspicion is that this view of the past was probably first developed by French authors during the colonial period as a way to justify their rule, and it later fit the needs of twentieth-century Vietnamese nationalists as well, and has become part of the nationalist narrative of Vietnamese history.

In terms of English-language scholarship, I think that this view has persisted simply because there has been so little work done in English on the Nguyễn Dynasty, because when one looks at the historical record, it is clear that the depiction of the Nguyễn Dynasty as resistant to reform definitely needs to be revisited.

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The History of Domestic Tourism in Thailand

As is well known, in the 1960s and 1970s Thailand became a major destination for international tourists.

During those same years, Thailand’s domestic tourism market also expanded.

I was in the library the other day and came across a magazine that targeted potential Thai tourists in the 1960s and 1970s. In just looking at the images on the front cover of this magazine it’s interesting to see the kind of image of Thailand that was being promoted.

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