Trịnh Hoài Đức, Gabriel Aubaret and the Production of Knowledge about the Mekong Delta

In the early nineteenth century, Trịnh Hoài Đức, a Vietnamese scholar-official of Chinese descent, compiled a geographical gazetteer of the Mekong Delta region entitled the Comprehensive Gazetteer of Gia Định Citadel (Gia Định thành thông chí 嘉定城通志).

In 1863, Gabriel Aubaret, a French Naval officer who knew Chinese, published a translation of this work as The History and Description of Lower Cochinchina (Country of Gia-dinh) (Histoire et description de la Basse Cochinchine [pays de Gia-dinh]).

Trịnh Hoài Đức compiled his text not long after the Nguyễn Dynasty had consolidated its control over the Mekong Delta region, and Gabriel Aubaret produced his translation as the French were gaining control over the area around Gia Định.

As such, both of these men were the first to produce knowledge about this region for their respective readers/governments. In reading what they wrote, it is fascinating to see the way in which each man’s worldview influenced how he wrote or translated.

Educated on classical (Chinese) texts, Trịnh Hoài Đức viewed and described the region in East Asian geomantic terms (what we now call phong thủy/fengshui). Unfamiliar with that worldview, Aubaret unwittingly omitted the geomantic information in Trịnh Hoài Đức’s text in his translation, and reorganized the text so that the information could be presented in a way that was more comprehensible to European readers. By doing this, Aubaret made it impossible for readers of his translation to access Trịnh Hoài Đức’s ideas.

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Popular Music in Twentieth Century Southeast Asia: A New Book!!

One topic that has received very little attention by historians is twentieth-century Southeast Asian popular culture, especially popular culture in the 1950s-1980s. There is a new publication, however, that seeks to at least partially remedy this situation by providing an overview of popular music in Southeast Asia in the twentieth century.

The book is called Popular Music in Southeast Asia: Banal Beats, Muted Histories (Amsterdam: Amsterdam University Press, 2017) and was written by Bart Barendregt, Peter Keppy and Henk Schulte Nordholt. Further, there is an open access version of the book that is free to download and read.

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A Conversation With Nhà Sàn Collective (Parts 1 and 2/of 7)

The eighth Engaging With Vietnam conference, held in Honolulu in October 2016, focused on the theme of “Engaging With Vietnam through Scholarship and the Arts.”

Our inspiration for that conference came from our realization that many people in the arts world in Vietnam are asking a lot of the same questions that academics ask, and are doing so in very sophisticated ways. We therefore wished to highlight this intersection between the arts and scholarship.

In preparation for the conference, Engaging With Vietnam conference founder Phan Lê Hà and I met in the summer of 2016 with Nguyễn Quốc Thành and Trương Quế Chi, two artists and curators from Nhà Sàn Collective, an art space in Hanoi.

Our conversation went on for well over an hour and it covered numerous topics, from discussing some of Nhà Sàn Collective’s projects to highly philosophical discussions about the contradictions between activism and the arts, and the difficulty over overcoming the limitations of discourse.

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A 20th-Century Vietnamese Origin Story (Part 1)

In the summer of 2016 I gave a talk at Nhà Sàn Collective, an art space in Hanoi, on some of the historical ideas that the South Vietnamese philosopher/historian, Lương Kim Định, produced in the 1960s.

This was the abstract for that talk:

“Virtually every human society today has a story about where it came from, or what we can call an ‘origin story.’ In the case of Vietnam, one could say that the story about Thần Nông, Kinh Dương Vương, Lạc Long Quân and the Hùng Kings is a kind of origin story. However, there was a new origin story that emerged in the 20th century that argued that the ancestors of the Vietnamese were agriculturalists (người nông nghiệp) who migrated into the region to get away from pastoralists (người du mục) to the north. This talk will examine how and why this ‘alternative origin story’ emerged in the 20th century.”

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Modern Southeast Asian History Seminar: The Cold War (Week 8)

While I’m not particularly interested in political history, I always find it important to keep up with developments in that field, as new scholarship can dramatically change long-held beliefs.

This week we looked at some new scholarship on the beginnings of the Cold War in Southeast Asia, and also took a look at some writings on the Bandung Conference. With China investing heavily in Africa these days, there is a growing interest among some scholars to look at the history of Afro-Asian interactions, and the Bandung Conference is an obvious topic of interest.

I predict that there will be some interesting scholarship that will emerge in the next few years on this topic, and so we took a brief look at the Bandung Conference to get a sense of what that was all about.

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Modern Southeast Asian History Seminar: Everyday Technology (Week 7)

Everyday, or common, forms of technology, such as radios, televisions, and sewing machines have had an enormous impact on human societies. Examining Southeast Asian history by looking at how various everyday technologies have been adopted and utilized can lead to fascinating insights.

This is the topic we covered in this week of the seminar. The reading list is below.

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Modern Southeast Asian History Seminar: Print, Fashion & Gender (Week 6)

In the 1920s and 1930s there was an explosion of print publications across Southeast Asia. These sources are invaluable for understanding many topics.

While early examinations of these writings sought to understand the rise of nationalism, current scholarship has moved on to such topics as fashion and gender, topics which are still related to nationalism, but which allow us to think about how people in Southeast Asian societies “refashioned” their sense of selves in ever more complex ways.

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Modern Southeast Asian History Seminar: Transforming Siam (Week 5)

This week in the seminar we read about the transformation of Siam in the late nineteenth and early twentieth centuries. This included examining the complex and fascinating topic of Siam’s condition of being “not entirely not colonized” while also being to some extent “imperial.”

This video contains some information about this topic, and the readings from this week are below.

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A Conversation With Art Curator Nguyễn Như Huy

Last summer Phan Lê Hà (founder of the Engaging With Vietnam conference series) met with curator Nguyễn Như Huy (founder of the art space Zero Station/Ga 0 in Hồ Chí Minh City) and talked about art, philosophy, linguistics, literature and travel.

I filmed the conversation and made the following three videos.

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